Wet roads at night and a really wide aperture make special things happen.
Fuji X100S, processed with Mextures on iPhone.
Wet roads at night and a really wide aperture make special things happen.
Fuji X100S, processed with Mextures on iPhone.
As of a few weeks ago there was still a line for iPhone 6/6+ at the Apple Store.
I've always loved shooting concerts. It's really satisfying capturing the energy of the crowd and the showmanship and stage presence of great performers. One of these days, I'm going to make good on one of my long-time goals, and get press credentials, or find a way to shoot a concert in an official capacity.
These were shot at this year's Advertising Week Wrap-up party at Webster Hall. I love the Advertising Week shows, because it's always a great opportunity to get access to incredible performances by some top-notch acts, including N.E.R.D, John Legend and The Roots, Big Boi, Wyclef Jean, and B.o.B. The performances are usually held in a relatively intimate setting, and it doesn't hurt that it's free for us industry types. I've made some of my favorite photographs at these events over the years.
Incidentally, for you photo nerds that like to pixel-peep, here's a 100% crop of one of the above images from the show, which are almost straight-out-of-camera (I think I tweaked the brightness/contrast ever so slightly in the Photos app on my iPhone). If you must nit-pick, yes, you can see a little softness, and yes, the pixels are a slightly chunky, but damn - I was standing at least 40-50 feet away from the stage!
I still can't get over the incredible low-light performance of the Fuji X100S, especially as it doesn't seem that long ago that I was still shooting with my Canon Rebel XT, and never dared go above ISO 800. That's a difference of four full stops of light, which means I would never have been able to make this image on that camera without using a flash or some additional light source.
One other note: in previous years, I would have been fully locked and loaded with my Canon 7D and L-series 70-200mm f/4 lens at these Advertising Week concerts, and as I said, I've made some images that really made me happy as a result of using that setup. Lately, though, I've been scaling back and am happy to take a more minimal approach to shooting - particularly when I'm on vacation, or shooting for myself and not for a paid gig. Not that I wouldn't shoot paid work with the Fuji; it's just that if I'm not being paid, I'm realizing that there's really no good reason to put in the extra effort of carrying all that extra gear. Simpler, most of the time, is better.
Anyhow, I had a great time at the show, despite not being a huge Wiz Khalifa fan. It happened to be my birthday, and there was open bar, so I'd say that worked out quite well.
On the way home late one night after working on presentation materials for a pitch. (I don't remember who we were pitching, or if we won.)
The city becomes serene and peaceful, and there's something about observing it through the scratched, streaked glass of a taxi windows that is romantic, mysterious, ethereal. Or maybe I've just watched too many movies.
This week's wallpaper is late. Sorry about that. It is a cityscape of Lower Manhattan with some rather dramatic clouds. This is the South view from Deutsch's offices in Chelsea.
iPhone, iPad and desktop versions are available, and as always, don't be a jerk.
EDIT: I just realized I uploaded a low-resolution version of this wallpaper for the desktop size - that's been fixed.
I think this is bamboo. I'm not a botanist or arborist or herbologist, or any other -ist that would know what type of plant this is, though. All I know is, it was up on the Highline Park and it provided a really nice textural background for some portraits I was shooting that day. Grab it in iPhone, iPad and Desktop sizes via the links below.
Usage rights: no commercial use, please. Link back with credit if you do use/remix this. Don't be a jerk.
Today's wallpaper is an abstract image I shot several years ago, taking advantage of my 50 f/1.4mm lens' pretty bokeh and shallow depth of field.
Sorry it's a little late - I think Squarespace was having some back-end issues.
Dowload desktop, iPad and iPhone versions via the links below, and as always, don't be a jerk. If you redistribute, I'd appreciate a link back here.
Pier 62 Skate Park Chelsea, NY | July, 2014
Talented motion designer, photographer and hero of the Tumblrs, John McLaughlin.
Chelsea, NY | July, 2014
I'm currently using this as my desktop wallpaper, and I thought I'd share. It's a close crop of the inside of the arch at Grand Army Plaza, shot at dusk one evening earlier this year.
Download from the links below. Usage rights are as follows: don't be a jerk. Share, remix, attribute with a link back here. No commercial use please.
Union Square Station | June 2014 New York, NY
DUMBO, Brooklyn, NY | June 15, 2015
Shot during the National Geographic Your Shot Meetup. I had a great time and learned a ton from an incredible group of instructors and editors.
Time Warner Center | June 16, 2014
New York City, NY
Robot #1. Trying to bang out a quickie robot model on a regular basis in Cinema 4D. Maybe even once a week...
*Yes, I know I posted this out of order with Robot #2.
Playing with Greyscale Gorilla's HDRI Studio Pack.
Let’s do some back-of-the-napkin calculations.
Last year alone, Amazon’s estimated revenue totaled $74.5 billion.
Based on Linden’s disclosure, increasing page loading times by just a fraction of a second would cost Amazon $745 million a year in lost revenue!
I'm no analytics guy, but it sounds like we in the business of building websites need to make them load faster.
Except for the AOL case study on the bottom of the page, the article doesn't really mention connection speed, though. I bring that up to say that this seems like a pretty strong argument for improving broadband speeds in America, like the telecoms are supposed to be doing anyway, but are dragging their feet on, because why should they; they already got their National Broadband Plan money.